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Foley Stage

Foley

The process takes its name from Jack Foley, a luminary from Hollywood’s golden past, it still plays a vital role in contemporary Sound Post. Its purpose is to either complement or replace sound recorded on set with new sound elements recorded in a more controlled environment. Foley at Bigfoot Studios is recorded for various film productions.

It remains a resolutely human process with synchronous footsteps, movements and impacts performed by dedicated Foley artists and recorded on dedicated stages with a wide ranges of props and surfaces.

Bigfoot’s ultra-quiet Foley Stage offers a full Sound Editorial and fitting service complete with surfaces and props for any project. It is powered by the industry standard ProTools HD2 system and boasts a Control24 console and Blue Sky 5.1 monitoring in order to deliver the most streamlined of service. The Control Room is designed to double as a DVD authoring suite and TV mixing facility capable of mono, stereo, and full 5.1 surround mixes. As with all Bigfoot facilities, a tapeless workflow ensures complete digital translation.

TECH SPECS
  • Stage Size: 23′ x 40′ x 20′ high / NC-22 rated
  • Console: Digidesign Control24 mixing console
  • Recorders: Pro Tools HD2 recording chain with version 7 series software and removable SCSI drives
    (Recorder accommodates up to 8 tracks)
  • Monitoring: Blue Sky SAT6.5 monitor system with Bass Management System for 5.1 monitoring
  • Outboard Gear: 2 Martech MSS10 Microphone Preamps
  • Microphones: Neumann KMR 81i microphones
    Sanken CS 7 stereo MS microphone
  • Projection: Non-linear picture playback from Virtual VTR, through Panasonic 50″ Plasma monitor
  • Unique Design Features: Control Room doubles as a 5.1 nearfield Mix Stage
  • Rent: $600
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Latest News
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